It wasn’t my intention from the get go; it was something that made more sense during the process. Subtitles didn’t feel necessary. There’s an eloquence in the unsaid that is universal. This is what I wanted to carry the story.
Thank you, it was cathartic. A story very dear to me.
The whole process was rewarding; BOY’s reception was a bonus. I’d always describe myself as an actor first and foremost and I’ve been blessed to have worked some great directors in my career. Having been on sides of the camera affords you a unique insight into storytelling..I’ve always had a deep respect for directors but after BOY? Yeah man, tenfold ha!
I met Josh at University, I reached out to him and we reconnected. It was really easy. I vividly remember watching Josh watch the ungraded version of the scene I wanted him to score. He felt it and that was that. He know what to do. From there it was just a matter of playing around. I actually heard Abakhohlwanga (song on end credits) via an Instagram story and actually screen recorded the clip and told myself that I needed to find this guy! I had no idea what the song was about at the time but I was really drawn in by it – music does that I guess..months later I found a live version on Youtube and connected with Sibusile shortly after. It was pretty serendipitous.
Two very talented artists for sure be sure to check out their work @josh_kye and
@sibusilexaba.