Kristen Yuan and Mild Kamolluck Niamkongkit
We are not, please tell us! For us, it’s certainly a dream come true to see a hot (literally) ex-girlfriend burn it all to the ground!
Kristen: Por una cabeza is one of my favriote pieces of music. I used to play viola in high school, so I listen to a lot of classical music and movie soundtracks when I work. While drawing the first version of Gaslight back in junior year, I was curious about what the storyboards would feel like if I played Por Una Cabeza over them. I knew instantly that it was the right song. The song just has so much passion and bite imbued into the melody, it’s the perfect theme song for El. Full of sorrow, betrayal, and, well – fire – Gaslight was made complete with Por Una Cabeza. The song’s different sections, going from calm to explosive, also informed how we paced our film.
We lived on the same dorm floor during our freshman year of college. By junior year, we were very close friends and roommates, and we would often help each other solve writing problems for our Story class late at night in the dorm. We would spend hours in passionate discussion, diving into character motivations and visual metaphors. At the end of the semester, we both realized we could turn our late-night homework discussions into a thesis partnership. We did a test run with a short assignment working as a duo, and it was a blast. The rest was history!