For Archive_DPT, it was essential to find the right balance between the authenticity of a found footage, in order to preserve immersion, and the use of cinematic tools to emotionally guide the audience through the story I wanted to tell. It’s mostly a matter of adjustments. For example, using a subtle sound design at key moments in the film, while ensuring the viewer is still watching a lost VHS from the 90s.
The same goes for the VHS treatment of the image. We used an aging method based on actual VHS analog tapes, but with a technique that allowed us to control the level of image degradation. This helped us preserve the colors and details, maintaining the artistic direction we aimed for in this short film.
The film as a whole has always taken into account the balance between the authenticity of found footage and the artistic direction we wanted to create.
There is clearly a theme related to manipulation and conspiracy within this narrative, as well as the vital discernment needed to face these phenomena. But above all, it is the story of a character who manages to break free from manipulation and confinement through sublimation.
When our character realizes that she can transform what haunts and traumatizes her into a creative force, that’s when she starts to free herself from the chains of the DPT 53s organization.
This can be summed up simply with these words: Fear traps, creation liberates!